“The value of a Judas sculpture is profound, as an object whose expression lies in its structure, form, and color. In the art of contemporary Mexico, it is without doubt the most valuable.”
-Diego Rivera
Judas
Materials: Bond paper, acrylic paint, and polyurethane varnish
Dimensions: 6” x 6” x 11”
Technique: Cartapesta
28hrs
The traditional burning of Judas represents a social critique, humiliating this icon as in the age-old practice of executing political and cultural figures, rebels and intellectuals in front of a public audience.
This centuries-old tradition began around the 7th century as a parody of the executions centered around the official saint of the Inquisition.
According to historical accounts, the burning of Judas is also related with "las Fallas de Valencia," a Turkish custom that came from the Iberian peninsula and arrived in Mexico with the conquistadors. The Evangelists from that time believed in the burning of Judas as a way of representing the traitor, Judas Iscariot, who sold Jesus out in return for money.
The burning of these figures on the Saturday of Gloria symbolizes the cleansing of a physical body with the flames welcoming the Spring and a new planting season.